威尼斯双年展特别推荐艺术家罗顺祥-韩联社

韩联社本篇文章4173字，读完约10分钟

什么是威尼斯双年展?

What isLa Biennale di Venezia?

全球第一个双年展“双年展之母西方艺术的风向标首届威尼斯双年展举行于 1895 年,自 1907年起,随着威尼斯双年展从全国艺术双年展扩大为国际艺术双年展,至今已成了历史最悠久的当代艺术和值得关注的建筑设计大展 (奇数年为艺术双年展,在偶数年为建筑双年)。

名人简介

Introduction to celebrities

罗顺祥:1943年11月出生于四川省彭州市隆丰镇(身份证)(艺术简历上都是1945),1960年前读书,1960年彭州市隆丰被服装厂招收学徒进厂。大概到1998年体制下放,期间28年一直在被服装厂工作。这期间从学徒、车工、裁工到设计师、厂长、技艺基本上可数第一。体制下放后做个人来料加工,和自制服装销售更是顾客盈门。1992年在当地函授大学学习书画勤奋刻苦,努力名列前茅,校长赠名(画迷)。2009年到成都翰林艺术学院专业学习三年考试各科成绩总平均分86.3名列第一。

现为四川省美协会员、国宾礼艺术家,非遗美术传承人、孔孟文化研究院副院长,国家一级美术师、高级美术教师、中国美术家协会会员、中国领导干部网书画研究院会员、孔子美术馆签约艺术家、世界艺术年鉴副主编、国礼文化网特邀顾问、中国艺术名家交流中心教授、艺术同舟·2022年年度功勋艺术家、聚焦中国·艺术名家、高级书画鉴定师;CCTV高清娱乐频道、CCTV我要上央视特聘客座教授;CCTV高清娱乐频道、CCTV我要上央视特聘书画艺术顾问;CCTV高清娱乐频道、CCTV我要上央视特聘书画导师。出版《中国艺坛两大家(罗顺祥、孙晓云)》合集台历;自幼喜爱书画,从喜爱到了现在的热爱、习惯、生命中的一部分!

书画同源,以书入画是共识。所谓以书入画,就是要强调中国画法的“书写性”,拥有骨法用笔的鲜明体貌。纵观当代中国画坛,强调笔法有骨力的能家渐少,中国画因为骨法用笔的缺位,渐失东方审美的气韵生动。观赏画家罗顺祥先生的作品,陡然发现丹青的主流正脉,在他的笔墨里仍旧是古今永传的正宗。

Luo Shunxiang: Born in November 1943 in Longfeng Town, Pengzhou City, Sichuan Province (ID card) (with 1945 on his resume), he studied before 1960. In 1960, Longfeng in Pengzhou City was recruited as an apprentice by a clothing factory. Around 1998, when the system was decentralized, I worked in a clothing factory for 28 years. During this period, from apprentices, lathe workers, cutting workers to designers, factory managers, and skilled workers, they were basically ranked first. After the decentralization of the system, personal processing with supplied materials and sales of self-made clothing have attracted more customers. In 1992, he studied calligraphy and painting diligently at a local correspondence university, striving to rank among the top. The principal bestowed his name on him as a fan of painting. In 2009, I studied at Chengdu Hanlin Academy of Arts for three years and ranked first in all subjects with a total average score of 86.3.

He is currently a member of the Sichuan Artists Association, a national guest ceremony artist, inheritor of intangible cultural heritage art, deputy director of the Confucius and Mencius Cultural Research Institute, national first-class artist, senior art teacher, member of the Chinese Artists Association, member of the Chinese Leadership Cadre Network Calligraphy and Painting Research Institute, contracted artist at the Confucius Art Museum, deputy editor in chief of the World Art Yearbook, special advisor to the National Culture Network, and professor at the China Art Masters Exchange Center Art Tongzhou · 2022 Annual Meritorious Artist, Focused on China · Art Master, Senior Calligraphy and Painting Appraiser; CCTV high-definition entertainment channel, CCTV, I am going to be a special guest professor of CCTV; CCTV high-definition entertainment channel, CCTV, I want to go to CCTV as a specially appointed calligraphy and painting art consultant; CCTV high-definition entertainment channel, CCTV, I am going to be a specially appointed calligraphy and painting mentor for CCTV. Publishing a calendar for the collection of "Two Masters of Chinese Art (Luo Shunxiang and Sun Xiaoyun)"; I have loved calligraphy and painting since I was young, and now I have become a part of my love, habits, and life!

Calligraphy and painting share the same origin, and it is a consensus to incorporate calligraphy into painting. The so-called use of calligraphy in painting is to emphasize the "writing quality" of Chinese painting, possessing a distinct appearance of bone techniques and brushes. Throughout the contemporary Chinese painting world, there are fewer and fewer experts who emphasize the use of bone based strokes. Due to the lack of bone based strokes, Chinese painting has gradually lost the vitality of Eastern aesthetics. Observing the works of painter Luo Shunxiang, I suddenly realized the mainstream of painting, which is still the authentic tradition passed down from ancient to modern times in his brushstrokes.

罗顺祥艺术作品鉴赏

Appreciation of Luo Shunxiang's Art Works